Education
M.A. Photography (In progress) - Falmouth University (U.K.)
B.A Photography - Southern New Hampshire University (U.S.)
Biography
Olivier Desmet (b. 1973, Belgium) is a photographer and darkroom printer based in Mill Valley, California. Deeply influenced by the Japanese concept of mono no aware (the beauty of transience), his work offers viewers a quiet experience that invites introspection.
Over the years, he has developed a practice grounded in traditional darkroom techniques. For Desmet, a photograph is incomplete until it takes shape in the darkroom, where the nuance of tone and contrast brings emotional resonance and visual clarity to his work.
Desmet’s work has been widely recognized and featured in publications such as The Financial Times, Metropolis Japan, Tokyo Weekender, and The Southern Review. He has published three monographs to date: Mono no Aware (2021), an exploration of urban and natural impermanence; Tsukiji (2022), a visual elegy to Tokyo’s historic fish market, and Marine Layer (2023), a meditation on the relationship between fog and light. His photograph Ichiyuki-San Performs Kabuki Dance, from the Portraits of Maiko series, is included in the permanent collection of the International Museum of Dance.
Artist Statement
Visually capturing the beauty of transience is the central objective of my practice. Photography is the perfect medium for this: a photograph is a memory of a small moment in time that is forever lost.
Thematically, I am drawn to fleeting moments and cultural transitions; scenes on the edge of disappearance. My Japanese-themed projects reflect this interest. For example, my project "Portraits of Maiko" depicts a fast-disappearing facet of traditional Japanese culture.
I have a profound appreciation for the printed photograph, and in particular, for the gelatin silver process. In an increasingly digital world, I find great pleasure in producing tanglible darkroom prints.
Self portrait (passport photo) - 2025